quantize recordings is excited about the latest release from the incomparable susu bobien, help is on the way. produced and written by dewey cioffi and bj nelson, this creative tribute to jesus christ is second to nothing else. once you ve heard susu s vocals on this recording, you will be amazed. this package features the dynamic production skills of earl tutu and john khan. earl s beautifully laid keys are the perfect complement to john s driving drums. add the mixing talents of dj spen, and you ve got their original and inspiration information mixes that are simply irresistible! if that isn t enough, thommy davis lends his extraordinary talents to this project resulting in the gospel-driven rescue remixes. these mixes rock straight down the aisle and contain all the elements needed to make dance floors explode with energy!

following up nearly 3 years after mallory s 001, joe brings us house/acid/techno riffs with live recorded vocals and gear. joe is a warehouse sound-man veteran of almost 20 years in and around los angeles. after curating, playing and servicing many techno/house/disco/acid events, joe would like to share some notes & texture with everyone. thank you for listening

los angeles droid behavior celebrates its 15th anniversary with a two-part release from its principal artists. over the last 15 years, droid behavior constructed, developed and institutionalized the west coast techno scene with their lauded event series interface. the label droid recordings fol- lowed with the launch of its first release -negative 01-, a compilation of l.a. producers showcasing new perspectives from north american techno. the forthcoming compilation negative 02 explores the label s vision from the voices that have laid its foundation, from the dark and strange, to the slightly experimental, to streamlined dance floor tools. part 1 of the compilation delivers 4 tracks from l.a. techno stalwarts, leading with label head drumcell. with releases on clr, dystopian, detroit underground and his own experimental label bl__k noise, drumcell s channels his diverse sound into a pitch-black banger in -dividing- a thick chugging track with an undercurrent of hypnotic stabs, pads and vocals.. the second track features one of the techno s most celebrated artists - truncate. also known as audio injection, david flores turns in the ultimate dj tool with -down,- a mastery of sequence subtlety layered on this introspective production. droid cofounders and vrv label heads rai&#769,,,z contribute the most entrancing arrangement for negative 02 - -ephemeral beings- which warns of social decay and encourages positive change via this and dark and beautiful composition. longtime droid resident viktor carrillo offers his debut release for the label with -coma walk- an ingenious application of the goa sound in conjunction with clever fm synthesis which makes for highly effective mix addition. a second release will follow to celebrate this anniversary, featuring more from the droid family including luis flores, hyperactive, subversive and aaron litchke.

its certainly not easy keeping up with tuccillo. the relentlessly productive producer has been constantly firing off dancefloor bombs on labels as respected as visionquest, one, holic trax and 8bit for years, but never before has he turned his hand to an album. finally, hes decided to do the right thing and give us a deeper insight into his sound, and he s doing it on his own unblock label. fans will get everything they crave on a part of 20, as tuccillo indulges his dancefloor sound and keeps the quality level as high as ever. there are some choice guest turns from vocalists on tonight, feeling hot and again, but throughout the album tuccillos commitment to the stripped down, emotive house groove remains constant.

with fbnm now celebrating their fifth year of operation, lorenzo has marked the occasion by assembling his biggest project to date – an impeccably curated collection of obscure italian production music circa 1974 - 1985. the project, nearly a year in the making, has been very close to lorenzo s heart – beginning unexpectedly in the record fairs of buenos aires and leading him on several trips to rome and milan, tracking down the original musicians and licensors.

romanian talent suolo presents may be for lokomotiv’s first official release.
cosmic frequencies induce an intergalactic trip as may be transports us into space, while complete paranoia aims for those special fast-paced moments on the dancefloor after-hours.
romanian duo sit (cristi cons & vlad caia) add colour to the stripped down beauty of may be with their interplanetary interpretation, featuring suolo’s signature dreamy soundscapes and bouncy rhythms. the remix is driven by a deep-toned bassline while more otherworldly elements web together an out of body experience that we know you will enjoy.
the release has received early support from raresh, barac, dubtil, arapu and cezar to name a few, mesmerising dancefloors and generating a wave of hype in romania and around the world.

ikpathua returns to noorden with three splendid cuts shaped by varieties of dub techno, leftfield and uk bass. machine woman adds two distinctive remixes of »oboo« to the package – a creaky dancefloor-version and a stripped-down ambient one.

after delivering the fh05, label co-owner pablo tarno is back at the controls with the fh09. the a-side features the more clubby cuts, ranging from the broken beat and dramatic jazzy piano chords of “horizons” to the more driving house beat and playful synth melody of ‘gunkan”. the b-side is all about the laidback grooves, “bitchplease” is a heavy dubby bass affair with serene pads that will lighten any mood, while “preemo” brings back pablo’s deep trip hop roots, closing off the record with a classy slowed-down number.

henry street music classic! scotti deep with his alias fathoms, ny, originally released in 1995.

nice price deal !!! jazz monkey consists of two chicago natives and avid house junkies, jay nice and jerome o. they come together to bring you their first house single. we start with soul power produced by jay nice, here he provides a funky bass groove with hard hitting drums and a soulful guitar, which is followed with enigmas down tempo track with laid back keys, powerful congas, and solid hitting kick drums. jacks groove produce by jerome o., is a party anthem that will get the crowd in a frenzy with hype bass drums, congas, crisp snares, and great vocals. train of thought is a definite throwback track that reminds you of a acid house record from the eighties but with serious drums and modern progamming. jazz monkeys mission strives on providing the best in house, disco, electronica, and afro beat to all who seek good music.

shiro is the samurai music offshoot created specifically for emerging artists first solo release on vinyl.
torn is a new face to the samurai camp and our first signing from russia. a st petersburg native, torn has been developing over recent years into one of the most interesting producers in the half step community with his tracks featuring heavily in the sets of many of the scenes most prominent dj’s including homemade weapons, loxy, clarity & presha.
the grethen ep is a gateway to the torn sound. ‘stagnation’ is the most traditional drum and bass of the ep with it’s bouncing, grunting lurch. ’grethen’ goes down low and deep, while ‘self reflection’ is the tune bound to populate many dj sets with it’s tribal percussion. ‘insomnia’ ups the intensity with frantic, restless energy to close the ep. more torn music to come on samurai later in 2017.

ltd 50% deal ...significant success for artists is based on two things: talent and timing. dave.i.d has talent by the spadeful but his timing may also be spot on. when dave.i.d released his debut single in march 09 he was probably too ahead of the game but now as we enter the last third of 2010 it feels right on the money. daves initial release went down very well though. paul lester in the guardians important new band of the day feature totally lost it, calling dave.i.d >totally brilliant< and dubbing him >aphex timbaland<. his single was voted single of the year in dazed & confused and made the end of year round-up in drowned in sound. now with the amazing zola jesus setting up so well around the world and the dark electronica coming more to the fore outside its nerd roots, dave.i.d sounds perfectly in tune with the unhappy, troubled sound of now.
bespoke packaging using industrial blue plastic cut in a rhombus shape. the same blue plastic forms the backdrop to the live stage show.

deutschlands producer-elite versammelt sich auf dieser neuen instrumentals-compilation von kabul fire records – und setzt pünktlich zum g20-gipfel ein mächtiges zeichen gegen nationalistische abschottungspolitik und globale ausbeutung. labelboss farhot hat ziemlich genau alles zusammengetrommelt, was rang und namen hat in der deutschen hip-hop-szene: bazzazian, the krauts, dexter, kitschkrieg, brenk sinatra, ghanaian stallion, suff daddy, samy deluxe, dj desue, und viele mehr. alles exklusiv, alles feuer! die erlöse aus dem projekt gehen an ein schulbbauprojekt des hamburger vereins visions for children e.v. in afghanistan. make beats not borders!

this june session victim return to delusions of grandeur imprint with their third studio album. listen to your heart is the result of a year of cross-continental scripting, started in their hamburg studio and wrapped up stateside in san francisco’s room g studios where the duo had worked on their 2014 lp see you when you get there. here we present the second of three lp samplers containing four tracks each, cut nice and loud for the vinyl crew. shadows gets things rolling with a classic session victim housey groove, looped up pads and hooky spoken vocal samples. filtered string stabs bring a warm and soulful edge whilst dub delay touches add a floaty element to get lost in. next up we have unchained which drops the bpm’s for a widescreen, slo-mo jam clouded in a smokey haze with jazzy touches, recalling the halcyon days of pork recordings. flipping over we have a brand new lp version of previous single up to rise, another sublime slice of blissed-out house music with a wonderful organic and live sound palette. echoing rhodes licks join the lead guitar tune for a balearic beauty which will be stuck in your head long after the sun sets. closing this second sampler we have over and over, which winds things down somewhat for an inspired, bass-led roller. an impeccable demonstration of retro-inspired yet forward thinking house and downtempo music, listen to your heart sees session victim at the top of their game.

vinyl only! giant records new release is a limited edition, hand stamped and numbered run, limited to 150 copies. comes from ettore angrisani aka highest sound levels who hails from naples - italy. two killer cuts here from ettore. first cut is - colours of underground - some late night heady vibes here that has all the hallmark s of those great italian deep house classics that have gone before. colors of underground - comes with a remix from grant dell. a nice stripped down dubby groove with dark atmospheric stabs and great use of ettore s tripped out keys. the second cut - sub-remote concept world - see s ettore take us on a dark twisted journey into a druggy spoken word - jam - with a sub bass that will shake many a dancefloor. sub remote world - comes with a sweet remix from sascha dive. sascha s mix lightens the mood and brings a nice subtle house vibe to the track with emotive keys - strings and an infectious peak time bass-line.

a 10 track slowdive into the sinuous distraction of love that is at one time, and however briefly or not, owned or desired by every breather to walk their years until dust. simple movements in synthesis provide currency for this forray of dark electropop, layered in poetic intrusions that tip a brim to william wordsworth, henry miller and dylan thomas as they ripple out in their own visceral style and intergrity.

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally.

and full-length it is:

the golden ravedays is an epic album of 24 tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period. the sixth piece of the golden ravedays puzzle will be released on hippie dance in june 2017.

number 6 of the series introduces two further tracks of the sound adventure that superpitcher is taking us on this year. side a features protest song. if music is a way of transporting us to other places, protest song takes us to a desolate, scary and loveless environment, a burnt-down, burnt-out place where the flesh of its former inhabitants is smouldering, void of goodwill and kindness in a cloud of toxic and greedy smoke. it’s all kafka and orwell and suffering - the most twisted and eerie track so far in the golden ravedays saga. what is undeniably clear is an acute sense of regret and loss - a warning that it could have been avoided, had we only listened to our hearts and protested. in the same vein on side b we hear powerful resistance. produced after the paris attacks of 2015 superpitcher outdid himself with this strong message of resistance. where protest song paints a picture of under-worldly doom, resistance’s techno beat and insistent refrain sweeps us to the surface of the muck of hatred and intolerance we’ve politically been dumped in. a voice that seems like a trapped animal is calling out to us. what is it trying to say? is it crying out for help? is that animal all of us? resistance represents hope and encouragement and could be the perfect marching track to any demonstration against negative forces. much needed in this age of bigotry where it seems like time has leaped backwards to a darker side of history. as for the dancefloor – resistance is irresistible!

das komplex or marcin to his parents has been steadily putting out incredible music for the last few years, building on an extremely well tailored collection of tracks they have started hitting all sorts of people s radar, no one more so than dj harvey who has been supporting his releases at some of his big shows. a1. under feet - whilst the people of australia are dancing, the people of poland are sleeping. or vice versa...starting off with some lcd fuelled vibes before a psychedelic phasing disco loop appears out of the smoke before twisting the track out in a slightly different direction. a2. w podwodnym pasniku - funky bass, filtered chords and a familiar vocal sample combine for this almost early french house sounding track circa 96. b1. bearded dwarf - very much sounding like prins thomas has been at work here, a big room scandinavian sounding house track (via poland!). big atmospherics, other-worldly vocal samples, lovely guitar snatches and driving piano with the addition of some tribal flute! b2. when - our favourite cut from the ep, cleverly using a herbie hancock sample and layering with disco sounds, vocals and a deep driving bass line to produce his trademark atmospheric, moody house sound. as always pressed on 180gm vinyl. please hunt down and destroy dance floors accordingly. keep sydney open

mr. k gets jazzy on this new 12-inch from most excellent unlimited. the breakdown of the smooth r&b staple -street life- stands out with a steady four-on-the-floor pulse that contrasts with the funk backbeat of the verses. working exclusively with this portion, krivit teases out six-and-a-half slinky minutes of sophisticated groove, weaving percussion and vocalist randy crawford s ad-libs in and out of the mix in tantalizing fashion. as a dj, danny krivit is renowned for his willingness to throw a funky curveball into the mix, and for the b-side of this single he gives us a peek at one of his secret weapons. a year after yusef lateef released his hit version of -nubian lady- in 1972, pianist roy meriwether was at a small club in dayton, ohio with his trio and laid down a sprawling live take that covered the entire side of a album, including a bridge that pushed the languid tempo of the original to a sassy upbeat workout. mr. k s edit focuses on this section, leaving us with nine minutes of gritty, get-down funky jazz complete with thunderous drum break. whether working as a surefire party starter or a clever changeup, -nubian lady- is a dancer.

after recent releases on the save fabric album, alola & jack trax, mr.c has delved deep into his musical psyche to deliver an acid master-class that s influenced by ska, dub, electro, italo disco, acid house & tech house, bringing his roots up to date with this massive modern production. incidents is about things that can happen while clubbing. down-tempo tracks entry search, a civil dose & quick exit will dub you out. slightly quicker acid fever & stand up will completely groove you & dance tracks do it for me, disco rebellion, shape your dreams, raid, ripple effect & master of the universe will make you dance like no-one s watching. incidents is the complete electronic album that pulls all the punches, gives a nod to the past & yet has it s feet firmly embedded in the future. this is easily mr.c s best solo work to date & essential listening.

j.a.k.a.m is japanese artist takashige miyawaki, a long standing producer commonly found on crosspoint records. on this release for the ever intriguing malka tuti label miyawaki draws on a thrilling spread of influences to make a truly soul-stirring track. at times the vocals lean towards a middle eastern lilt while the saxophone burns with the fire of the post punk era. with monolithic drum hits, yearning violin and plenty more besides, wabi sabi is a many-headed beast of a track. moscoman takes the original and simmers it down to a more focused but no less exotic tribal house workout.

cadenzas head honcho luciano teams with house music legend david morales up for esperanza a long awaited release that will fire up the summertime. david and luciano composed the track together but then each one refined his own personal mix. lucianos flow latino mix is a long tribalistic ground moving crescendo with a sub-frequency dense kick and sparkling nuyorican flavoured percussions. the hand drums ensemble ride a magnetic bass provoking a state of hypermnesia slowly reaching a climax of celestial chords. this subtle spectral progression finally breaks down a feeling of positive trust and spiritual healing. david morales red zone mix is a lengthy dramatic ascension with a darker feeling. stretched textures are the background of a constellation of scattered percussions, over which fast paced hi-hats subliminally introduce evocative strings and arpeggios, as they were coming out, at last, as the hope from the pandoras box.

second edition of subsonic device s compilation series. 2x12- vinyl album feat. dynamix ii, debonaire, bass junkie, dark vektor & more! eight artists, double vinyl and lots of bass ...

printed deluxe sleeve, 180g vinyl only v/a ep by: aprapta, dj slowhand,marcelo cura & gorbani, sed trax aka.sascha kaline,eddie krilov,denis kaznacheev!

mathew jonson’s “decompression” was first released on minus in 2004. to celebrate 13 years since it’s release mathew has commissioned 11 artists to remix this classic split over 4 releases. the first ep of the series features remixes from dbridge, konrad black and nathan jonson, each artists contribution provides a fresh approach to a package fuelled by the influence of drum & bass. dbridge steps up for two remixes, the first is warped and deconstructed, the second a high energy drum & bass belter. konrad black slows things down with a darker groove whilst nathan jonson’s ‘rewind to 96’ utilises rave tropes and chopped vocal samples. the package is a magnificent addition to the legacy of ‘decompression’ and coming next will be remixes from seth troxler, deadbeat, mike shannon and natalia escobar. mathew jonson’s “decompression” was first released on minus in 2004. this is the first release on mathew jonson’s new label entitled “freedom engine” mastered at scape mastering

oberst & buchner are next up on freeride millenium and the two bavaria born, vienna based producers deliver an ep that offers their interpretation of what modern summer togetherness sounds like. the talented pair started making music together aged 15 and aim to cook up emotionally driven jams. they do so on labels like heimlich, underyourskin records, schönbrunner perlen, lokd, and always get the juices going, as they do once again here. beginning with the brilliant greg we dive into a breakbeat bath of summery chords as playful claves dance on the horizon. it is a melodically rich track with spiritual feelings that really bliss you out. on the moodier emile night time arrives and warm chords mix with jangling, organic glass and percussive tinkles that reflect rays of light. it s a perfectly jazzy and loose number that really suspends you in a rueful place. last but not least, embrace is a fluid intergalactic convention with sparse drum kicks weighed down by sombre synths. a skittish, dubstep style groove then comes in and elevates the track with gentle guitar licks and slithering synths adding colour, and overall it has the same zoned out feel as a thousand-yard stare. this is a brilliant mood ep that mixes up the synthetic with the organic, creating some fascinating grooves as a result. the release once again features original artwork from the ever talented daniel rajcsanyi. thanks for purchasing a real copy!

picture the scene: a dark basement with flickering strip lights, sweat dripping from the ceiling & down the walls, bodies crammed moving to the thud of house & disco colliding, vogue - poppers - vogue - poppers, a time when everything was raw, experimental and energetic, this is the underground.

the belgian duo „chassé- heats up the flux compensator and takes us on a hilarious time travel straight back to the mid 1990 s with their new ep „word up kids-. pumping chicago grooves meet dope down funk & soul loops – just the right mix to make you freak out on the mid-summer-dancefloor. these 12- is the dj-essential you need for surfin the incoming 90s revival wave. pretty much remarkable: „word up kids- is chassés vinyl debut – whats gonna be next? bigbait026 is the third installment of our random color special edition series. each record is a unique piece, because the color is constantly shifted during the production process. .... safe your copy!

new years deal - two years after the milestone somewhere compilations, something happening somewhere is commemorating the times that have passed, returning with a new chapter in the series. selecting unique pieces of artists known and less known, the somewhere series continue their sound based confessional. telling unheard stories, exposing unseen surfaces and unheard sounds.
somewhere iii is set to be released as two vinyl samplers, with a selection of the tracks featured in the full digital compilations, which will feature four extra digital only tracks. a host of familiar sohaso figures make an appearance, but there is also room for new faces like aril brikha, kaap, ripperton in his stunning collab with love over entropy, equus, tracey and mulder. every artist on this somewhere iii compilation is expressing their unique experience through sound waves, telling stories and uncovering a piece of themselves. there are things radiating in the violet fog, waiting to be discovered. journeys that are worth making, but will not necessarily provide any more answers. something is happening somewhere, once again. love over entropy teaming up with ripperton, could we wish for more? it felt like a dream team combo before we even heard the resulting beauty of saints de glace. inspired by those last nightly frosts of spring days in may, it sounds exactly like those contrasting temperatures and feelings. down tempo organic grooves and a drifting melody that ebbs in and out of consciousness provide disparity with the glimmering pads that lure in the night air waiting to catch you off guard.

conrad van orton debuts on attic music for the 15th installment of label. “hypersomnia” is a collection of haunting techno tracks that sit on the darker side of the genre’s spectrum without loosing it’s dance floor appeal.
the 4 track spanning record opens up with the title track “hypersomnia” though techno sounds that revolve around a train-like whistle that repeats throughout the track’s poignantbuild. “green eyes” is an intrusive piece of work that closes down the a-side with it’s intense synth works. on the b side we find “iteration”. this growling piece of music has an almost live sounding quality to it. “ending point” is the toughest piece of work of the record which revolves around a fierce bass sound and a potent drum work.

during the mid-1970s, the aggrovators could do no wrong. this ace team of session musicians that was forged as an off-shoot of the soul syndicate were responsible for some of the biggest hits of the decade, recorded with bunny lees rising stars, such as johnnie clarke and his rival, cornell campbell. following on from the great shalom dub set of 1975, rasta dub 76 is another truly magnificent dub set culled from aggrovators hits (by johnny clarke, cornell campbell and others), this time, the entire album was given a scintillating mix-down at king tubbys studio by the great prince jammy, and the sonic excellence has stood the test of time. another must-have for all connoisseurs of dub.

born roy samuel reid in saint thomas in 1944, i roy was one of jamaicas all-time greatest deejays. a natural-born toaster, his rhyming raps always sounded effortless, whether describing the harsh realities of the inner city, or making light of nonsense nursery rhymes. a former employee at customs and excise, he was first active on a sound system called soul bunnies in the rock steady era, moving to son’s junior in 1968, and later, to the legendary supreme ruler of sound, defecting to the rival stereo sound system after that. hits for harry mudie and other producers soon followed, and after the killer debut album presenting i roy impacted overseas, the toaster began spending frequent periods in london. his longstanding working relationship with hit-making producer bunny lee led to some of his most noteworthy albums during the mid 1970s, the 1977 set cant conquer rasta is a superb showcase-style album, on which the toaster blows hard lyrics over five of lees killer rockers rhythms (recorded with the likes of johnny clarke), each complete with a corresponding aggrovators dub on the flip, all mixed by prince jammy at king tubbys studio

the brooklyn sessions bring together old and new pinkman friends. annanan returns, this time with maroje t, for three pieces of ny darkness. acid tainted torment opens the 12inch, pain and rejection catalogued in the barren confrontations in terms of sexuality. i saw you maintains that cold edge. militaristic percussion is dipped in industrial grease, lost samples circling in a haze of distortion. the pair explore reduction with tracks being boiled down to leave only distilled dread behind. the breathy vocals of i am close, drum patterns looped into machine groan and the aching abyss.

one of the sweetest and most idiosyncratic voices in reggae, tenor singer cornell campbell also has one of the longest-running careers of any jamaican recording artist. taken under studio one founder clement sir coxsone dodd’s wing at a very young age, cornell cut his first recordings in 1956, long before ska was even established. he remained based at studio one for many years (working as a label printer as well as a recording artist), and also voiced sides for king edwards in the ska years. he then briefly joined the sensations in rock steady and recorded at treasure isle, before moving back to studio one as leader of the eternals when reggae arrived, cutting huge hits there such as stars and queen of the mistrel, and giving early coaching to slim smith, jacob miller and bassist robbie shakespeare. joining forces with ace producer bunny striker lee in the mid-1970s brought a dramatic new surge in popularity that greatly boosted his profile overseas. the ropin lp was issued on third worlds justice subsidiary in 1980 a sub label set up to handle strikers product in the uk (though hits like mash you down and the title track had been handled in jamaica by joe gibbs). one of the albums outstanding moments is bandulu, an anti-rude boy epic voiced on the late night blues rhythm, while opening cover, just my imagination, has an uncredited toasting portion from errol scorcher.

after 100hz bosconi is proud to announce another hero from the undergorund uk techno scene joining the family: having previously released on such labels as down low, headspace, 7th sign and his own iridite label, rei loci from glasgow makes his debut on our the florentine imprint with a massive four tracker ep called -holding pattern-.the record starts with deep driving transportation of the detroitish techno and hard-to-find dancefloor weapon -deep blue-, previously released on iridite, here on it s original -unedited- version, followed by the jacked out swing and soulful vibe of the more atmospheric a2 track -horizons-. flipside instead consists in the subliminal acidic pump and sensual mood of -serchin- as b1, while last cut is taken by the ethereal, psychedelic, afterhour jam named -mal-. oldskool, good school

incl black hole sun !soundgarden’s 1994 album “superunknown” back on 180 gram audiophile vinyl, newly remastered from original analog tapes. housed in a gatefold jacket, including 12 page book with new photos and art

music from the 2005 motion picture “pride & prejudice” on 180 gram vinyl with download code included.

barbir from les points delivers a truly inspiring ep for the 14th release on concealed. the musical range is wide, spanning from detroit flavoured house music and techno, to more futuristic breakbeat stuff with hints of electro. tied together with swirling acid melodies and deep pads, mixed with uplifting beat and bass jams, all laid down over 6 quite different cuts. as a special treat, we find two collaboration with louh on the b side as well... yay!

up from down under, following crucial releases on his own body language imprint, lj shifts gears and steers his intricate sound-world — torn between house and ambient, with larry heard s alien lp coursing through — into deeper, more techno-infused waters. watch out for the centre of time, evoking over its twenty minutes both the arctic vapour of vletrmx21-vintage autechre and the expansiveness of vangelis in full flight. next-level stuff from berceuse heroique.

molotov represents the best elements of its creators, brooklyn rapper, saga and chicago producer, thelonious martin. the rhymes are potent and powerful, taking down everyone from cynics to haters, wack emcees, and inner demons. and the instrumentals serve to bring those words to life by way of head-nodding percussion, and slick sample flips.

finally canary recordings is back! 4 fresh raw & deep house tracks for all dance floors!! * beautiful chaos no.3* include a lot of styles and timeless various tracks from their great talents. kicking off, the first tune of phaze dee (moods & grooves) creates beautiful house music with a proper deep and harmonious vibe, mike sharon (local talk) approached deep & moody house music. on the other hand, yusuke yamamoto (canary) inspired ’90 style house sounds warming up with some sunny vibes. italian producers gemil & lcs(deep down slam) made raw house bomb!! very limited copy. don’t miss it!!

brian kage returns on michigander with the, best kept secret ep. kage once again provides three deeply emotional dance tracks filled with his signature warmth that immediately draw connections between personal memories and michigan’s natural splendor. best kept secret starts the record off with tones of hypnotic bells that cascade down from within minor chords that hypnotize the listener until they are met with swelling strings to tie the infectious grooves to intelligent vintage percussion. lush vocals continue building into an atmosphere of nostalgia and eventually gives way to that moment of intimacy that can only be felt outdoors while exploring with a person they love. lost on old free-soil road features a detuned analog synth-line that winds up and down over a bed of spooky night-time forest field-recordings which are encompassed by a jackin’ 909 beat . suddenly, juno stabs straight from the 80’s pierce through sending the syncopated grooves back the direction they came from taking dancers along for the joyful ride. cruise control on us-31 rounds out the record with an infectious blend of pitched wooden toms, warm mid-range bass, deep 303 lines, and a smoky pad straight from a vintage rhodes. all these elements help keep the composition positive & relaxing, while expertly conjuring the feeling of sun on your face. this tune is the perfect tool for any dj interested in luring day-partiers to a space where they can’t resist bobbing their heads and enjoying their summer outside. related items

nice price deal !!! gecko turners fab >gone down south< albums just keeps on giving. new house-with-soul hero ezel and french dub sorcerer blundetto deliver two rather splendid remixes for the deep house and dubbed soul beats heads. ezel, the dominican house wonder boy, emphasises the prince-esque qualities of the funky >when i woke up< and adds some cosmic synth stabs and amazing house beats to it in the process. in the meantime the afro caribbean vibes of the wonderful >amame, mimame<, a track that has gecko turner written all over, gets an equally laidback, dubby work-over by blundetto, a fantastic remix perfect for your lazing on a sunny afternoon in the summertime.

remastered and extended 20th anniversary edition, featuring 23 songs on 180 gram triple viny, housed in a gatefold sleeve with download code included.

field recordings from the cook county water table” ist brokebacks debütalbum aus dem jahr 1999. das vinyl ist seit über einer dekade vergriffen und wird nun seit langem erstmalig wiederveröffentlicht. das album enthält gastbeiträge von noel kupersmith (chicago underground), joshua abrams (natural information society), rob mazurek (exploding star orchestra, chicago underground), mary hansen (stereolab), john herndon und john mcentire (tortoise).

“looks at the bird” ist brokebacks drittes album aus dem jahr 2003. das vinyl ist seit über einer dekade vergriffen und wird nun seit langem erstmalig wiederveröffentlicht. das album enthält gastbeiträge von stereolabs laetitia sadier und mary hansen sowie noel kupersmith (chicago underground), rob mazurek (exploding star orchestra, chicago underground), john mcentire (tortoise), aki tsuyuko und chad taylor (chicago underground, marc ribot). das vinyl erscheint mit bedruckten innenhüllen und einem mp3-download-coupon.

burnskis and jon woodalls constant sound sublabel constant black continues its march into the underbelly of heads down club tracks with this installment from the hitherto unfamiliar constant. whether it s burnski under a different guise remains to be seen, but the quality of the tracks is the prime concern here. the a1 track is the perfect blend of tech house, with a hooky rhythm section and all manner of shimmering sonic delights spread out on top. the a2 taps a more reduced house vein, keeping the beats slender and the melodic elements subtle and dubby. the b side cut seems to merge the two to create a bubbling slice of swinging funk for the subliminal generation.

eric cloutier launched palinoia last year with a single of his own, but now he s turned to berlin mainstays exercise one to lay down some of their trademark psychoactive machine music for the second installment. heptagon sports metallic synth notes clanging out over a freight train of techno drums, while prism takes a more nimble approach to twist out its various synthetic squeaks. nitrogen is a warmer proposition, placing the emphasis on chords and melodies while still aiming squarely at the dancefloor. thirty four finds the duo veering away from the 4/4 dogma to deliver a captivating kind of broken techno in a soundscape loaded with tension and ominous empty space.

dez williams returns to mechatronica with “forlorn figures in godforsaken places”, dropping a stormy dose of diverse electro and machine funk for the berlin based label.
speedy, relentless electro cuts “xen” and “carkrash” vikdim make up the a side, driven by haunting samples, rumbling basslines and eyes-down energy. hypnotic roller, “on the verge”, opens the flip with dazzling keys and forceful drum programming, before “tromb” rounds off the ep in murky fashion through a robotic, hazed electro chant.